themen
impressum
ein bischen Style. Echtes digitales Retro-Gefühl. Vielleicht sollte ich einfach...
viel. Manchmal passiert hier etwas oder auch hier.
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legoidylle
Ich durfte am Wochende an einer Party teilnehmen, wo den Gästen (es war wohl an die kleinen Gäste gedacht worden) eine gut gefüllte Legokiste zur Verfügung gestellt wurde. Es hat mir eine große Freude bereitet.
An dieser Stelle sei nochmal hierhin verwiesen.
zieldefizit
Zivilzierdefizitzielzitattiefziellizenzzitterzickenzitze aus dem Pepilog.Hab' ich erst jetzt gesehen.
léon der profi
Ich habe den Film gestern zum ersten Mal gesehen. Eine gelungene Gratwanderung. Hätte man das Ende so gedreht, wie in dem Drehbuchausschnitt unten, wäre der Film bei mir mit Sicherheit nicht so gut angekommen. Angeblich haben die Eltern von Natalie Portman interveniert. Ach - und wußtet ihr, daß Luc Besson auch "Das fünfte Element" gemacht hat? Ich nicht.
SLOW MOTION Behind him, unheard and unseen, STANSFIELD follows him. STANSFIELD rises his arm. A gun at hand. The gun aims at LEON's back of the neck.
Léon advances and can see just the lightful exit, synonym of freedom. But his vision gradually gets paler and the image tilts, without noise. The image is now completely inclined and gets paler and paler. Overexposed image, then suddenly: BLACK. Léon's dead. Without even realizing it. Mathilda is still observing. Stansfield's right hand gets out of the building and lifts an arm to the sky. He wants everyone's attention.
RIGHT HAND
It's alright! We got him! It's over!
Some cops clap, others whistle. Mathilda leans on the wall and cries. Stansfield is in the corridor, near Léon.
CHIEF
Shit! Never seen anything like this before!
ANOTHER
He almost fucked me, furthermore!
STANSFIELD
He killed Richmond, my boss, two days ago... And Rinaldi too! We've been on him for months.
A chief slaps on his shoulder, but he's embittered, he lost many men too.
CHIEF
Nice shot.
SLOW MOTION
Mathilda appears. She wears Léon's large overcoat. A silenced gun at hand. Her face is harsh and immobile like never before. In front of building's entry, two cops look at her, stunned. This will be their last expression. She gets in the corridor. At the end, STANSFIELD laughs together with his colleagues. Mathilda advances until the white sheet on the ground. She crouches down, lifts one end. Léon's got blood everywhere, but his expression is sweet and relaxed. Mathilda caresses his cheeks. A man tips on STANSFIELD's back. The group turns and sees the little girl crouched near the corpse. Mathilda kisses Léon's mouth and stands up. She leaves her gun on the floor. She looks at STANSFIELD, straight in his eyes, with a big smile. STANSFIELD doesn't understand. Mathilda pulls her hand out of a pocket and launches something to him. STANSFIELD catches the object. It's a metal ring. STANSFIELD understands lesser and lesser. Mathilda opens her overcoat: inside, a dozen of granades everywhere. One lacks its ring.
STANSFIELD UNDERSTANDS EVERYTHING.
COMPLETE, GENERAL, ABSOLUTE EXPLOSION
The shockwave shakes everyone in the street. Still in slow motion, thousands of debris fall on the street. A rain which is even sadder than usual.
THE END</i>